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Picture a boy walking down Esplanade Avenue in New Orleans on his way to meet the streetcar. Strapped to his back is a metal thermos of coffee, a sleeve of paper cups tucked under his arm. He is there as people head to work, their hair fixed with curls or grease, their hats carefully stuck to their heads. They pay him next to nothing for a cup though their nothingness adds up and it is what he brings home to his mother. She waits for him in the kitchen with the jockeys, who board in the back spare bedroom. Their tiny, wiry bodies huddled around the table for breakfast. Her son is her treasure, pulling his weight in work before school. He is old enough to keep a secret and watches as the men sneak the doped horses into the racetrack through the Mystery Street Entrance. Their eyes wide and glassy from the cocaine and morphine pumping in their blood, lucky if their hearts don’t explode before the finish. Their faces are unlike the other racehorses’ and they make him sad. He wishes he could set free every last one of them. That was old New Orleans, the way it used to be when our family lived on a street lined with French families, a place of true beauty in a country so green. Anything seemed possible but so much was tolerated. One account from 1892 has a man named Rankin being suspended for ordering an injection to a colt named India Rubber. After the race it was announced that the injection given was not the usual mixture, but one of water, and that it had seriously hurt instead of helped the poor horse. The racetrack is still here though the horses are better protected, and the streetcar no longer passes in front of the houses on Esplanade which stand before us like ghosts from another time.
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